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  • GILLIAN STONE, “Spirit Photographs” (Scapes Sound, 2022)
    Recensioni, Zoom

    GILLIAN STONE, “Spirit Photographs” (Scapes Sound, 2022)

    L’indiefolk dalle tinte gotiche dell’artista canadese è la scelta di Monolith Cocktail del mese.

    Monolith Cocktail

    29/11/2022
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  • NO AGE, “People Helping People” (Drag City, 2022)
    Recensioni, Zoom

    NO AGE, “People Helping People” (Drag City, 2022)

    Recensione opera degli amici di Monolith Cocktail.

    Monolith Cocktail

    11/10/2022
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  • AFTAB DARVISHI, “A Thousand Butterflies” (2022)
    Recensioni, Zoom

    AFTAB DARVISHI, “A Thousand Butterflies” (2022)

    The Hamburger label 30M Records is an intercontinental phonograph. Its pivot hinge moves a funnelled horn to bring sounds of Iran out of Iran to the world. They have a tender reverence for tradition. The 30M name is a cryptic derived from a 12th century mystic poem. In the poem, 30 birds (Persian, sī murğ) flock to find…

    Monolith Cocktail

    22/08/2022
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  • SAULT, “Air” (Forever Living Originals, 2022) 
    Recensioni, Zoom

    SAULT, “Air” (Forever Living Originals, 2022) 

    The summit has been reached. The artist is left poised precipitously on a creative aiguille. There is no higher peak. There is no ground left to conquer. Only true sky-reachers seek higher heights. I have no doubts that SAULT, aka Dean Josiah Cover, was pointedly tiptoed in such a place prior to writing AIR. Reality is operatic. Cyclical pulsing…

    Monolith Cocktail

    24/06/2022
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  • LYRICS BORN, “Mobile Homies Season 1” (Mobile Home, 2022)
    Recensioni, Zoom

    LYRICS BORN, “Mobile Homies Season 1” (Mobile Home, 2022)

    Despite the title sounding something like a caravanning show found on Channel 5, Mobile Homies from Bay Area veteran Lyrics Born makes the most of lockdown restrictions as a collaborative collection fleshing out LB’s purpose-made podcast of the same name. Much more than just a make-do stopgap, it salutes the long established Lyrics Born mantra of performance being all…

    Monolith Cocktail

    17/05/2022
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  • EL KHAT, “Aalbat Alawi Op. 99” (Glitterbeat Records, 2022)
    Recensioni, Zoom

    EL KHAT, “Aalbat Alawi Op. 99” (Glitterbeat Records, 2022)

    Il secondo album del gruppo ricollega le sue radici yemenite con la psichedelia, il garage-rock, il gnawa, l’Ethio-jazz e il raw.

    Monolith Cocktail

    05/04/2022
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  • FUTURE KULT, “Future Kult” (Action Wolf Records / AWAL, 2022)
    Recensioni, Zoom

    FUTURE KULT, “Future Kult” (Action Wolf Records / AWAL, 2022)

    Un duo messicano che suona una inquietante “musica del futuro” è il consiglio mensile di Monolith Cocktail.

    Monolith Cocktail

    08/03/2022
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  • LABELLE, “Éclat” (InFiné, 2022)
    Recensioni, Zoom

    LABELLE, “Éclat” (InFiné, 2022)

    La tradizione Maloya e il classico sono rimodellati in una cosmologia di fusione che si espande sempre più

    Monolith Cocktail

    25/01/2022
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  • [MC] Essiebons Special 1973-1984: Ghana Music Power House
    Recensioni, Zoom

    [MC] Essiebons Special 1973-1984: Ghana Music Power House

    Various ‘Essiebons Special 1973-1984//Ghana Music Power House’ (Analog Africa)  3rd December 2021 “Highlife”, a name that stuck, was first used to reference the class divide of colonial Ghana. For many of the bands synonymous with this loose tag originally began playing to Europe’s upper echelons and civil servants, diplomatic classes at the stiffened ballrooms and tea…

    Monolith Cocktail

    20/12/2021
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  • [MC] JAMAEL DEAN, “Primordial Waters” (Stones Throw, 2021)
    Recensioni, Zoom

    [MC] JAMAEL DEAN, “Primordial Waters” (Stones Throw, 2021)

    L’acclamato prodigio del jazz e dell’hip-hop americano, Jamael Dean, sogna in grande con un nuovo ambizioso album.

    Monolith Cocktail

    16/11/2021
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