Tutti gli articoli di Monolith Cocktail
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COLIN DYER, “47ram Negativ65” (Schematic Music Company, 2023)
I nostri amici di Monolith Cocktail recensiscono un disco straniante di elettronica xenarmonica.
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TINARIWEN, “Amatssou” (Wedge, 2023)
I Tinariwen abbracciano il country blues di Nashville, anche se "da remoto".
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ALI FARKA TOURÉ, “Voyageur” (World Circuit, 2023)
Una raccolta per il decano spirituale del "desert blues" del Mali.
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LIELA MOSS, “Internal Working Model” (Bella Union, 2023)
This is the third solo album from the Duke Spirit vocalist and an excellent album it is! Whilst the first album My Name is Safe in Your Mouth was...
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GILLIAN STONE, “Spirit Photographs” (Scapes Sound, 2022)
L'indiefolk dalle tinte gotiche dell'artista canadese è la scelta di Monolith Cocktail del mese.
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NO AGE, “People Helping People” (Drag City, 2022)
Recensione opera degli amici di Monolith Cocktail.
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AFTAB DARVISHI, “A Thousand Butterflies” (2022)
The Hamburger label 30M Records is an intercontinental phonograph. Its pivot hinge moves a funnelled horn to bring sounds of Iran out of Iran to the world....
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SAULT, “Air” (Forever Living Originals, 2022)
The summit has been reached. The artist is left poised precipitously on a creative aiguille. There is no higher peak. There is no ground left...
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LYRICS BORN, “Mobile Homies Season 1” (Mobile Home, 2022)
Despite the title sounding something like a caravanning show found on Channel 5, Mobile Homies from Bay Area veteran Lyrics Born makes the most of lockdown restrictions as a...
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EL KHAT, “Aalbat Alawi Op. 99” (Glitterbeat Records, 2022)
Il secondo album del gruppo ricollega le sue radici yemenite con la psichedelia, il garage-rock, il gnawa, l'Ethio-jazz e il raw.
